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The M8xi is a separate preamp with two monobloc power amps sharing a common chassis.
Local pickup or $11 flat rate shipping within Australia
We are proud to announce that Musical Fidelity has won the prestigious EISA award for 2020/2021 in the category “High End Integrated Amplifier“.
Read more about it here
The M8xi is a separate preamp with two monobloc power amps sharing a common chassis. Each has its own heat sink and separate transforrner. Genuinely dual mono. The preamp has its own separate power supply and is mounted close to the input sockets. Consequently, PCB tracks are very short. This elegant idea ensures that both channels signals are ultra low impedance the instant they get into the amplifier. This is a significant detail. Each channel has twelve big bipolar transistors – 200 amps peak to peak is easily available. The metalwork is high quality. The front panel is a custom made fine line extrusion of milspec aluminium. The custom made heat sinks have outstanding dissipation characteristic and finish. The M8xi construction has the feeling of solidity and quality.
Over the last 5 years our power amp circuitry has reached a high state of evelopment. In our never ending quest for improving performance and customer value we have been looking for ways to improve our designs. One of the prime directives was to keep the low feedback configuration unchanged .. continue with low feedback! The problern was how to improve efficiency and performance without affecting the sound quality. If I say so myself, I think we have come up with a brilliant solution. Our new M8xi power amp design gives higher power, lower distortion and better sound quality. Incredible but true. The output stage efficiency has been increased thus yielding about 10% more power for similar power supply voltage. More importantly the whole driver stage is pure Class A. We believe that this innovative approach has a substantial effect on the sound quality. The sound stage appears wider whilst the micro and macro dynamics have more impact. This effect is particularly noticeable on well recorded piano. I am sure you all know the piano is a percussive instrument but in truth this is rarely audible on most Hi Fi systems. Using an M8xi a piano‘s percussive nature becomes instantly obviously and jumps out of the loudspeaker. lt is a surprising and satisfying improvement to the sound quality. Vocals have more subtly, detail and presence. Large scale music has a depth, width and incredibly dynamic presentation. All in all the M8xi is a consummate all-rounder. Mostly it sounds like a small Class A amplifier with huge power.
The M8xi delivers 550 + 550wpc into 8 ohms. It is extremely stable and very linear. The distortion is low too; lower than 0.005% in the audible frequency range of 20 Hz to 20 kHz. The M8xi has remarkable linearity and consistency. lt is unconditionally stable and will drive any loudspeaker in existence easily with ample power reserve.
Our Approach to Technical Measurements
In our view an amplifier should be completely neutral. lt is ‚a straight wire with gain‘. Easy to say but hard and complex to do. We want to stress that we do not believe that the technical performance is an end in itself. lt is a method of validating the total amplifier system concept. The aim of our circuit/PCB designs is to have low feedback and achieve complete neutrality, transparency and great technical performance. The proof that we are on the right track is the technical performance. We think that technical performance cannot be summed up by the distortion at 1 kHz. Our view is that an amplifier has to be able to satisfy a wide range of technical requirements before it can be neutral.
Almost all loudspeakers have complex impedance and Ioading curves. An amplifier must be able to maintain its voltage virtually, regardless of loading. If an amplifier cannot maintain its voltage across the spectrum, then the ultimate frequency response and distortion will be non linear. This is not neutrality.
The overwhelming majority of amplifier manufacturers only talk about distortion at 1 kHz. We believe that this is only a fraction of the story. From our perspective, an amplifier must have very low distortion from 20 Hz- 20 kHz and beyond. We believe that an amplifier‘s high frequency performance proves the total performance of the circuit and PCB layout. The M8xi distortion hardly changes from 10 kHz to 50 kHz. An outstanding achievement and validation of the circuit design and PCB layout.
Amplifiers should be quiet. lf they are not, low level detail is irretrievably lost. Also, the dynamicrange is seriously compromised. Dynamic range is not just how much power an amplifier will produce, it is also how quiet it can be. Dynamic range is the total from the quietest to the loudest. The M8xi excels in this respect.
Precision Volume Control
The M8xi has a precision volume control. This ensures perfect tracking right down to very low level. This ensures perfect tracking right down to very low levels which is unattainable with standard potentiometers. This outstanding precision is achieved by laser trimmed substrate resistors.
The M8xi is effortless, fluid and dynamic. lt doesn‘t sound ‚loud‘. lt just sounds right. The dynamics are handled with no drama or fuss. They come and they go. There is no distortion; just pure undiluted music. lt sounds like a superb small Class A amplifier but with limitless headroom. Perfection!
- 4 pairs line level RCA connectors
- 2 pairs line level XLR (balanced) connectors
- 2x Coax S/PDIF up to 24 bit 192kHz
- 2x Optical S/PDIF up to 24 bit 96kHz
- 1x USB B Asynchronous USB up to 24 bit 192kHz
- 1 pair line level RCA fixed
- 1 pair pre-out RCA variable
- 1 pair line level XLR variable
- 1x Coax S/PDIF up to 24 bit 192kHz
- 1x Optical S/PDIF up to 24 bit 96kHz
|Total harmonic distortion|
|Signal to Noise Ratio|
|Maximum peak output current||
3+3 pairs (bridged arrangement) per channel
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